Most of a year's additional experience, as well as getting that first album behind her, shows Judy Collins
singing with less stridency and a lot more confidence on her second LP, whether she's doing English-based ballads such as "Fannerio" or gospel tunes like "Twelve Gates to the City." Accompanied by her own guitar and Walter Raim
on second guitar, with Spike Lee
's father, Bill Lee, on bass, she generates a much more attractive sound and body of work, with a freer, less rigid approach that gives the songs a chance to breathe and flow. There's also a more easygoing pleasure evident on the part of the singer, which carries over to the recording in lots of subtle ways.