Rising Force was a revelation upon its release in 1984;
Eddie Van Halen had introduced dazzling speed to the realm of rock guitar technique, and the compositions of
Randy Rhoads had begun to fuse heavy metal with neo-classical influences, but no one before
Yngwie Malmsteen was able to combine those elements with such blinding virtuosity.
Malmsteen's innovative guitar style made
Rising Force a mandatory primer for '80s metal guitarists, with its classical chord progressions and
Malmsteen's use of harmonic minor scales, a wide vibrato imitative of classical violinists, and impossibly fast picking techniques, including the sweep-picked arpeggio (sort of a cross between strumming a chord and picking each note individually).
Malmsteen's obsessions with
Bach,
Beethoven, and
Paganini are used in the service of a dark, stately, gothic atmosphere and sent guitar students scurrying to learn their works as well as
Malmsteen's own. The true inauguration of the age of the guitar shredder.
–
Steve Huey, Rovi